UP NEXT: "Cat On A Hot Tin Roof"

4 Performances: Opening April 10th and running thru the 13th

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“One of the most successful plays of our time. "…a play of tremendous dramatic impact…enormous theatrical power." —NY Post. "…Williams has fashioned his most compelling characters." —NY Journal-American.

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Cat on a Hot Tin Roof

The play is rated PG 13 – Adult Situations

READING, PENNSYLVANIA – GENESIUS THEATRE – The story takes place in a plantation house in the Mississippi Delta on a hot summer evening, as a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate, clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. Maggie, Big Daddy's daughter-in-law, wants to give him the news that she's finally become pregnant by Big Daddy's favorite son, Brick, but Brick won't cooperate in Maggie's plans and prefers to stay in a mild alcoholic haze the entire length of his visit. Maggie has her own interests at heart in wanting to become pregnant, of course, but she also wants to make amends to Brick for an error in judgment that nearly cost her marriage. Swarming around Maggie and Brick are their intrusive, conniving relatives, all eager to see Maggie put in her place and Brick tumbled from his position of most-beloved son.

By evening's end, Maggie's ingenuity, fortitude and passion will set things right, and Brick's love for his father, never before expressed, will retrieve him from his path of destruction and return him, helplessly, to Maggie's loving arms.

The set is designed by Jeffrey Jones, the lights are designed by David Neel and the sound is designed by Albert Garcia. The set is built by Jeffrey Jones and Betty Gerstner.

ABOUT THE AUTHOR: Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), known by his pen name Tennessee Williams, was an American playwright. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.

After years of obscurity, at age 33 he became suddenly famous with the success of The Glass Menagerie (1944) in New York City. This play closely reflected his own unhappy family background. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). With his later work, he attempted a new style that did not appeal to audiences. Increasing alcohol and drug dependence inhibited his creative expression. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman.

Much of Williams' most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame.

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"This is a gripping and intensely moving play, a play that can hold its own with anything written in the post-O'Neill American theater…Brilliant scenes, scenes of sudden and lashing dramatic power, break open…There is, indeed, no one moment in the evening when the stinging accuracy of Mr. Williams' ear for human speech is not compellingly in evidence…Mr. Williams is the man of our time who comes closest to hurling the actual blood and bone of life onto the stage; he is also the man whose prose comes closest to being an incisive natural poetry." —NY Times.

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Performing at Genesius Theatre

153 North 10th Street, Reading PA 19601

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About Genesius:

Genesius Theatre is a Performance Venue that specializes in Musical Theatre with professional live orchestras. Genesius performs 10 productions annually, 3 of which feature kids / teens exclusively. The theatre also doubles as a learning center offering summer theatre classes annually. Genesius offers state of the art lighting and modern effects. You will feel immersed in their up-close atmosphere of the performances; the true “Genesius Difference”.

As a 501C3 Non-Profit Organization, Genesius relies on generous donations within the community from people like you. We trust in the power of this inspiring & dynamic medium to transform the artists who create it, the audiences who enjoy it, and the patrons who support it.

Genesius Theatre is handicap accessible.